Download PDF Manhattan, When I Was Young, by Mary Cantwell
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Manhattan, When I Was Young, by Mary Cantwell
Download PDF Manhattan, When I Was Young, by Mary Cantwell
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Mary Cantwell, who has been a writer and editor at Mademoiselle and Vogue and a writer at the New York Times, gives us an elegant and lyrical autobiographical account of a time and place that for some exists only in imagination. But this is a life as it was actually lived, with romance, passion, and no little share of pain. Like her earlier, warmly received American Girl: Scenes from a Small-Town Childhood, Cantwell's new book "offers many of the pleas-ures more usually associated with the novel" (Washington Post Book World). In five different apartments in Manhattan, each with its own character and charm, Cantwell's story winds through its phases, from single working girl to young wife and mother, from career choices and divorce to rediscovery. The world Cantwell inhabits - that of magazine and book publishing and fashion and the middle-class bohemia of downtown New York at a golden moment in time - is brought beautifully to life in a memoir that is sure to win her new readers and ren
- Sales Rank: #1970427 in Books
- Published on: 1995-09-18
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l,
- Binding: Hardcover
- 214 pages
From Publishers Weekly
With every address in this wonderful memoir, Cantwell examines her voyage through a life filled with gifts and hurts that twist and weave as recklessly as a Greenwich Village street. Our trip begins in 1953 at 148 Waverly Place, where new college graduate Cantwell lives in a dilapidated town house and launches her career in publishing as a secretary at Mademoiselle. We witness Cantwell's blossoming relationship with her bohemian, Jewish future husband, identified here only as B., and the terrors that bear down on her from her Irish-Catholic upbringing, such as the mortal-sin guilt she felt at the prospect of using a diaphragm. The only home she ever had outside the Village was 301 East 21st Street, where Cantwell's married life got off to a stumbling start, her dislike of sex became apparent and her migraines began. The couple moved to 224 West 11th Street, where B. started a successful publishing career. The couple's next flat was at 21 Perry Street, where B.'s "certainties fed my nothingness," but soon, Cantwell writes, she became pregnant and "God loved me." She writes wonderful pages on pregnancy and the birth of her daughter Katherine. She speaks of her fear of injuring the baby and admits "that once upon a time I was crazy." But with Katherine's birth, Cantwell found that "sex was okay now, because now I knew what it was for." And with the arrival of their second child, Margaret, there was the move to 44 Jane Street. Here Cantwell's career at Mademoiselle took off and her husband started to have affairs. Sickness in her daughters was traced to her husband's genes, and she knew she had "married a killer." The heart-wrenching disintegration of the marriage began: the silences, the threats and the anticlimactic divorce, out of which a new woman was born. With this paean to Village life and the maturation of her own self, Cantwell (American Girl) has written such an intimate book that the reader will feel like a joyful voyeur peeking into the window of her life.
Copyright 1995 Reed Business Information, Inc.
From School Library Journal
YA?An easy-to-read autobiographical account of a fashion-magazine writer in the 1950s. Fresh out of college, Cantwell arrived in Greenwich Village and shared an apartment with a friend. Despite all the flair of metropolitan life, experiences with high-style department stores, exclusive little shops, theaters, parties, restaurant outings, and even a romance and marriage, she became increasingly depressed. Her close ties to a lovingly encouraging father were broken by his early death. She details the passsage of years by describing the flats, houses, and apartments she lived in and the jobs lost and gained in her career pursuit. Despite Cantwell's lifelong involvement with psychoanalysis, her account is enlivened with the cheerful glamor of little black dresses, Steuben glassware, ethnic neighborhoods, and the whole ambiance of the city, presenting anew the eternal charm of the Big Apple for the young.?Frances Reiher, King's Park Library, Fairfax, VA
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Like Willie Morris's New York Days (LJ 8/93), Cantwell's follow-up to American Girl (LJ 4/1/92) evokes a place and time experienced vividly in youth and remembered fondly in maturity. While Morris recalls a turbulent 1960s New York City, full of noise and ego, Cantwell's memories of Manhattan in the 1950s and early 1960s are quieter, more intimate, but no less romantic or powerful. She divides her memoir into five sections, each connected to an address where she had once lived. From 148 Waverly Place where Cantwell and her college roommate struggled to survive their first year in New York as single working girls (shades of My Sister Eileen and those other wonderful 1950s "career gal" movies) to 44 Jane Street, which witnessed the dissolution of her marriage and the launch of her editorial career at Mademoiselle, Cantwell reflects on the changes that affected not only her life but also her city. Beautifully written, strongly recommended.
-?Wilda Williams, "Library Journal"
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Favorite author
By K. Brown
One of my favorite authors talking about her favorite city
4 of 4 people found the following review helpful.
Interesting Memoir Recording A More Accessible NYC
By nomdeplume
Ms. Cantwell depicts a NYC that actually opened its arms to those who strove to succeed. We know this as the American Dream; in today's economy, it's hard to catch a break no matter how hard you try.
Her husband wants to get a new job; he quits his old one (despite his parents rightly pointing out it's safer to keep your current one while you look). He then finds a new job, just like that! Imagine that! It's hard to imagine in this economy, but Mary also can just walk into a magazine and ask to get a job, or tell her boss not to fire her. I'm sure she undersells her talents in this book, as it does depict a lot of her neuroses, but it depicts a way of life that the Baby Boomers had that just isn't there anymore.
Onwards from the work & economy, as depicted....
Mary seems extremely codependent. She never seems to get angry for her husband's long affair; yes, their marriage was troubled, but what he did was awful. People keep telling her to have more mercy for herself, but she can't. She blames it on her Catholicism, but misses the point: she was never told she was better than how she was treated by her husband. Since she admits to blurring the lines in therapy (and her dreams) between her father and her husband, one can imagine that her idealized portrait of her dad is just that, and that somehow he and/or her mother created this dynamic of codependency and a lack of self-worth that she plays out with her husband. Now, sometimes the husband is unfairly blamed for things too-- and it is amazing how much prejudice her community and mother had against him for being Jewish.
Since it's a memoir, I was hoping the narrator would at least indicate later on she was able to process some anger and move on, but she seems mired in regret and nostalgia. When she talks about this trip she should have never taken, which showed her she could be independent, she blames herself-- clearly, the issue was her husband couldn't handle that level of action on her part. I hope when I read the third in the series, "Talking with Strangers," that she'll at least have focused on other things and perhaps done better for herself in her next relationship.
Sometimes the way the memoir is written seems overly self-conscious, and while I love metafictional moments, they can get a bit heavy-handed at times. Nonetheless, I do like the imagery her writing conveys, even if sometimes I am frustrated with the protagonist.
18 of 18 people found the following review helpful.
I hope Cantwell writes another book of this period in NYC
By Francoise Latrelle
I read this book a few years ago and LOVED it tremendously, declaring it my new favorite book, which is why I owe it a (belated) 5-star ranking. If it had been written in the '50s and early '60s - the time span she covers - it would have enjoyed as much or more success as the "single women in the city" books of the late '90s (Bridget, Girl's Guide, Sex in the City). However, written as a memoir it is even more mesmerizing in it's evocation of a heady, romantic time in Manhattan - nothing like the coldness of today's Sex in the City. I particularly loved Cantwell's voice/writing style which is full-bodied in a light-handed way - with such great observations of detail and dialogue and the culture of that time, against a great backdrop of fashion and manhattan brownstones. It has the intelligence I wish more of today's books which profile young women would have.
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