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West Wind: Poems and Prose Poems, by Mary Oliver
Download West Wind: Poems and Prose Poems, by Mary Oliver
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The New York Times has called Mary Oliver's poems "thoroughly convincing - as genuine, moving, and implausible as the first caressing breeze of spring." In this stunning collection of forty poems - nineteen previously unpublished - she writes of nature and love, of the way they transform over time. And the way they remain constant. And what did you think love would be like? A summer day? The brambles in their places, and the long stretches of mud? Flowers in every field, in every garden, with their soft beaks and their pastel shoulders? On one street after another, the litter ticks in the gutter. In one room after another, the lovers meet, quarrel, sicken, break apart, cry out. One or two leap from windows. Most simply lean, exhausted, their thin arms on the sill. They have done all they could. The golden eagle, that lives not far from here, has perhaps a thousand tiny feathers flowing from the back of its head, each one shaped like an infinitely small but perfect spear.
- Sales Rank: #182437 in Books
- Color: Multicolor
- Published on: 1998-04-07
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .25" w x 7.00" l, .25 pounds
- Binding: Paperback
- 80 pages
Amazon.com Review
In lines pulled taut by the tension between the silent beauty of nature and the poet's longing for words, Mary Oliver has again provided readers with plenty to think about. Consider "Stars": "How can I hope to be friends / with the hard white stars / whose flaring and hissing are not speech / but a pure radiance? / How can I hope to be friends / with the yawning spaces between them / where nothing, ever, is spoken?" Yet Oliver does strike up a kind of friendship between nature's inexpressible beauty and the necessity and solace of language. She writes vividly of each, noting the way "the sunlight and shadows are chasing each other," (from "The Dog Has Run Off Again"), in one instance, while elsewhere describing the excitement of writing poems: "little curls little shafts / of letters words / little flames leaping" (from "Forty Years"). Oliver is one of the most honored poets now writing in the English language, and, along with Wendell Berry, Gary Snyder, and A.R. Ammons, an important part of the revival we are seeing in contemporary pastoral poetry.
From Library Journal
Although her papers may scatter as the west wind sweeps through her room, Oliver's house is in order. From the chaos of the world, her poems distill what it means to be human and what is worthwhile about life. Echoing the Romantics and Whitman, she affirms the value of aloneness with nature, of watching and listening?not just to get it down as art but simply to live it: "And to tell the truth I don't want to let go of the wrists/ of idleness, I don't want to sell my life for money,/ I don't even want to come in out of the rain." While practically every poem in this collection is about death, joy and death are inseparable: "If there is life after the earth-life, will you come with me?" The prose-poem referred to in the title?a 13-part series addressed to a lover?sums up a humble life lived to the fullest in a cricket's imagined musings: "It thought: 'here I am still, in my black suit, warm and content'?and drew a little music from its dark thighs." For all collections.?Ellen Kaufman, Dewey Ballantine Law Lib., New York
Copyright 1997 Reed Business Information, Inc.
From Booklist
What news does Oliver bring from her beloved woods and seashore? What bright bits of wisdom has she woven into the airy but sturdy basketry of her poems? In an ardent opting for freedom, Oliver says simply, "I don't want to sell my life for money," and yet there is nothing simple about it, or in her declaring that sometimes she just doesn't want to come in from the rain or put a stop to her dog's happy romp through wet leaves. At 60, Oliver is amazed that she feels so much as she did 40 years ago, long before she won the Pulitzer Prize and the National Book Award, long before her need to preserve, in the mobile shrine of words, the beauty she observes in nature brought her "pomp" and recognition. Oliver has always written to express gratitude, but, for all her meditativeness, what engages her most is not placidity but passion: wind-twisted trees, birds of prey, river rapids, darkness, and love. And as Oliver intends, her poems do indeed make us "shiver with praise." Donna Seaman
Most helpful customer reviews
6 of 6 people found the following review helpful.
A positive review and a positively unusual request
By Mike Smith
This book, to me, is about as good as poetry gets. I'm not a guy who reads a lot of poetry, but I've always enjoyed reading Mary Oliver's writing when I'm camping or exploring, and this book is among her best. She has an amazing feel for the natural world, and does a terrific job of transfering something as abstract as the feeling of a sunset into ordered, beautiful words. This is the kind of poetry even people who hate poetry might enjoy.
My older sister gave me a copy of this book a couple of years before she committed suicide. The copy she gave me was full of notes she'd written to me throughout it, and I have searched everywhere for that copy. I think I must have left it somewhere, or given it away or thoughtlessly sold it before my sister died. If anyone out there ever comes across a used, paperback copy of "West Wind" inscribed to Mike from LeeAnne, I would pay almost anything to buy it from you.
(No forgeries, please.)
0 of 0 people found the following review helpful.
Mary Oliver is amazing!
By Amazon Customer
Mary Oliver is amazing!
My Wife and i used the West Wind poem in our wedding ceremony
13 of 14 people found the following review helpful.
Mary Oliver is a spiritual teacher as well as a poet.
By A Customer
I have treasured Mary Oliver's poetry for a number of years. This new collection, West Wind, is both a departure and a development from her earlier work. Nature is her muse, and she still uses nature's events as metaphors for spiritual awareness and growth - what's new is looser, more varied poetic forms and a playfulness coupled with "death" as a recurring theme. Mary, at 60-plus, is facing mortality. As a reader, she can take me anywhere and I'm more than willing to go - even into death. She is not only my favorite poet, but my most important spiritual teacher as well. This book has a place in everyone's poetry and/or dharma collection.
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