Download Ebook The Page Turner, by David Leavitt
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The Page Turner, by David Leavitt
Download Ebook The Page Turner, by David Leavitt
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At eighteen, Paul Porterfield's dream is to play the piano at the world's great concert halls, yet so far the closest he has come has been turning pages for his idol, Richard Kennington, a former piano prodigy on the cusp of middle age. Then, on vacation in Rome with his mother, Pamela, Paul encounters Kennington a second time. A love affair begins between the two - one that is complicated when Pamela misconstrues Kennington's attention toward her son as a sign of interest in her. Alarmed by the situation, Kennington flees Rome for New York, where Joseph Mansourian, his manager (and lover) of twenty-five years, awaits him; Paul, too, goes to New York to study at Juilliard. They do not see each other. Yet the brief affair will affect their lives in ways that neither could have predicted. "Why can't people have what they want?" It is around this question that David Leavitt's new novel so movingly pivots. By turns comic and heartbreaking, shrewd and intimate, The Page Turner testifies not only to the tenacity of the human spirit but to the resiliency of the human heart.
- Sales Rank: #2940213 in Books
- Published on: 1998-04-16
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l,
- Binding: Hardcover
- 244 pages
Amazon.com Review
David Leavitt's Arkansas was the surprise of his career: funny, sexy, and thematically adventurous, it was a complete break from his more traditional narratives. Now, in The Page Turner, Leavitt returns to the style and type of story that made him famous. Noted pianist Richard Kennington is a former child prodigy now entering middle age. While in Rome he meets and begins an affair with Paul Porterfield, a young man who is poised to follow in his professional footsteps. The affair is complicated by the fact that Pamela, Paul's mother, is also interested in Richard. The affair is short-lived, but the story--which might remind you of an updated version of a sophisticated 1940s Hollywood romance such as The Seventh Vail or Intermezzo--takes several startling turns when Richard, Paul, and Pamela discover the power of love and eroticism; it is more complicated then any of them imagined. Leavitt's tone, slyly serious and ironically romantic, makes The Page Turner a compelling and surprising read.
From Publishers Weekly
This flat novel of music, ambition and love is unfortunately not the enticing work-in-progress by the fictional "David Leavitt" in the far more accomplished and entertaining novella "The Term Paper Artist" (from the collection Arkansas). Eighteen-year-old Paul Porterfield hopes for a career as a classical pianist and is thrilled to achieve his "debut" turning pages for his idol, the vaguely van Cliburn-esque Richard Kennington. This would be the only intersection of their careers were it not for a coincidental encounter later that summer in Rome, where Paul and his philistine mother, Pamela, are on vacation. Mutually infatuated, Paul and Kennington carry on an affair unbeknownst to Pamela (who develops her own crush on Kennington). Kennington abruptly leaves because of an emotional crisis at home in New York (the beloved dachshund of his longtime manager and lover dies), but the summer fling spoils in Manhattan, as Paul (now at Julliard) faces his lack of talent and Kennington cracks under the middle-aged pressures of being a former child prodigy. Neither character's sketchy story, however, has much emotional weight. Only Pamela, one of Leavitt's characteristically strong maternal figures, transcends her stereotype. Her farcically frustrated ambitions barely keep up the tempo in this dubiously titled orchestration of tired themes. Author tour. (Apr.) FYI: Arkansas will be reissued simultaneously in Mariner paperback.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Leavitt, in his first novel since the controversial While England Sleeps (Houghton, 1995), proves once again that he can accomplish much through his clean, spare narrative style. A master at creating the internal dither we experience when we misunderstand our surroundings, Leavitt relies on irony to explore the world of mismatched characters as they attempt to create, but mostly ruin, relationships. Paul Porterfield is the title character, an 18-year-old would-be pianist who is called upon to turn pages for his musical idol, the fortysomething Richard Kennington. They fall in love a few months later. Add to this mix Paul's mother, who also falls for Kennington, and Kennington's much older male lover of more than 20 years. Mistrust, abandonment, and betrayal abound, and each character knows all too well what those things are. But the hope for love is plentiful, and that is the substance of the novel. With each turn of the page, we uncover the mystery of love in the characters' lives as they experience it. Highly recommended for all fiction collections.?Roger W. Durbin, Univ. of Akron Libs., Ohio
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
6 of 7 people found the following review helpful.
An extremely thought provoking novel
By A Customer
As much as people criticize it for the structure of the novel, I feel that the overlying love story between Paul and Richard is extremely touching, they both truly embodies the typical teenager and his infatuation (dare I say love?) with the middle aged man who never seems to be able to commmit. As Paul's character develops, his innocence towards love and relationships can still be seen for his love of Richard. An extremely thought provoking novel......and touching.
3 of 3 people found the following review helpful.
A potentially good plot with an unwise pivot
By N. Wong
This novel by Leavitt has a potentially good plot as it provides space for portraying the psychology of a mother who is going to discover a homosexual relationship between her beloved son and the object of her own affection. However, the tone first half of the book does not match with the second half's. The first half focuses on the development homosexual relationship between the son and the pianist, and the second half suddenly explores the madness of the mother, and the novel at this stage is centred with the use of stream of the mother's consciouness, which consequently leads to a rather abrupt ending. Still, Virginia Woolf's works and Michael Cunningham's THE HOURS are the excellent examples explaining how to use the stream of consciousness to lead to a (post)modernist ending.
3 of 3 people found the following review helpful.
The whole that's less satisfying than the sum of its parts.
By A Customer
The book is excellent as a collection of sharp and sensitive observations of gay relationships, new and old, all of which spoke directly to me with a loud voice. Leavitt's writing edges towards poetry and like its title, I couldn't put it down. However, as a piece of storytelling, too many questions are left unanswered and the characters beg to be developed. The ending was abrupt, to say the least. Leavitt has written better novels (my favourite being While England Sleeps) but The Page Turner is still an enlightening experience for fans of one of the most eloquent writers of modern fiction - gay or otherwise.
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