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The Best American Short Stories 1996, by John Edgar Wideman
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Each fall The Best American Short Stories provides a fresh showcase for this rich and unpredictable form. Selected from an unusually wide variety of publications, John Edgar Wideman's choices for 1996 place stories from esteemed national magazines alongside those from some of the smallest and most innovative literary journals. Dazzling new work from favorite authors includes Mary Gordon's" Intertextuality," in which a sentence by Proust propels the narrator into an intricate portrait of her Irish American grandmother. From Robert Olen Butler comes the wry and warm tale " Jealous Husband Returns in Form of Parrot," in which a man learns the consequences of marital distrust. Alice Adams employs her customary finesse to contrast the stinging vulnerability of early adolescence with the burdens and pleasures of midlife. Including contributions from Joyce Carol Oates, Lynn Sharon Schwartz, Rick Bass, and an array of stunning new talent, The Best American Short Stories 1996 is a rewarding, en
- Sales Rank: #1796867 in Books
- Brand: Houghton Mifflin
- Published on: 1996-11-06
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l,
- Binding: Paperback
- 384 pages
- Great product!
From Publishers Weekly
While some installments of this annual anthology could more accurately be titled The Best Short Stories Published by the New Yorker," many of this year's selections are culled from more obscure literary magazines, with a number of new voices standing alongside series regulars such as Joyce Carol Oates and Alice Adams. Among the more established writers, a standout is Jamaica Kincaid's "In Roseau," a tale of a girl who gets involved in an erotic triangle with a married couple. Two writers who have won critical acclaim without yet reaching the wide audience they deserve weigh in with very impressive pieces: Stuart Dybeck offers a surreal yet oddly coherent story of love, loss and Chinese food in "Paper Lantern"; while Melanie Rae Thon's "Xmas, Jamaica Plain" demonstrates her considerable gift for capturing a character's voice. Few of the new writers that Wideman includes hold their own against their better-known counterparts; an exception is Junot Diaz, whose "Ysrael" is a fierce and unblinking story of a disfigured boy who wears a mask and the other children determined to see beneath it. But other newer writers, such as Jason Brown and William Lychak, seem in their different ways to be prime examples of the sort of middle-of-the-road fiction produced by M.F.A. programs: dutifully well-crafted stories whose content is derivative and uninspired. Overall, this is an engaging collection, though one that provides scant evidence for the existence of a new generation of talented short story writers.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
This year's short story annual from Houghton has less of a "round up the ususal suspects" feel than previous editions. Though Rick Bass, Jamaica Kincaid, and the ubiquitous Joyce Carol Oates make appearances, it is the debut authors who stand out from the crowd. Junot Diaz, the most highly trumpeted talent of the season and author of the collection Drown (LJ 8/96) makes his first appearance in this collection. Set in the Domenican Republic, his "Ysrael" is the story of two brothers who torment a disfigured boy. In Jason Brown's "Driving the Heart," about a man whose job it is to drive organs for transplant to distant hospitals, the tight prose plays off Brown's wound-up protagonist in convincing fashion. Melanie Rae Thon's heart-rending "X-Mas, Jamaica Plain" features a young prostitute's reminiscence of her friend's suicide. Dan Chaon's "Fitting Ends" is another impressive debut. Stuart Dybek checks in with "Paper Lantern," an intricately layered story of desire that shines as the best. Guest editor John Edgar Wideman (The Cattle Killing, LJ 7/95) does an good job of explaining his selection criteria and goals for the collection in his introduction, as well as bemoaning the pose of objectivity as "a useless fiction." Recommended for all collections.?Adam Mazmanian, "Library Journal"
Copyright 1996 Reed Business Information, Inc.
From Booklist
Though it is possible that none of the stories here will make it into later anthologies of literature or course syllabi, with this collection, readers of fiction have an outstanding cross-section of short fiction currently being published in North America and some sketches of what its more notable practitioners have to say about their writing. This year's stories are wide ranging, from the recollections of a woman's childhood sexual relationship with an adult to the ambitions of a now-communist, now-anticommunist sketch artist in postwar Malaya to the revealing and anguished letters of a father (in nineteenth-century America) to his son, who has abandoned home for an apocalypse-expecting, world-renouncing religious encampment. Wideman's valuable introduction not only seeks to dismantle the iconic status anthologies like this sometimes confer on stories, thus pointing us toward other stories, it also voices a claim for literature's potentially "special, subversive, radically democratic role" in exposing us to the "differences" outside the commercialized mainstream and getting us to address them. Jim O'Laughlin
Most helpful customer reviews
4 of 6 people found the following review helpful.
Wideman zips up the BASS series with a multicultural slant.
By A Customer
After last year's disastrous edition of this distinguished series, John Edgar Wideman puts it back on track with an eclectic and challenging potpourri of contemporary fiction. In 1984's edition, editor John Updike complained in his introduction that a cultural sameness had befallen the work he seleced from--middle class white folks struggling with identity and life circumstances (he compared it unfavorably to the 1934 edition, where he noted a good deal more pluralism in cultures and situations raised, and blamed magazine editors for not publishing more broadly). Well, Wideman has finally pushed this series over the line by keeping his fictional antennae up for alternative cultures, ethnic or otherwise. Although he only chose 6 stories from the slicks (as opposed to "little" magazines), I thought they had the edge this year. Five stories reprinted hit my favorite list, three of them from slicks: Stuart Dybek's hallucinatory treatment of the fiery eroticism of everyday life in "Paper Lantern" (The New Yorker); Angela Patrinos's heartbreaking portrayal of a female drifter's job as an fine art school's nude model in "Sculpture I" (The New Yorker), and Stephen Dixon's wrenching stream of consciousness evocation of the few days immediately following the loss of a man's young wife to cancer in "Sleep" (Harper's). From the small mags, two that really caught my eye were William Lychack's clever "A Stand of Fables" (Quarterly West), a magic realist updating of a traditional literary form, and Dan Chaon's "Fitting Ends" (TriQuarterly), a tragic tale of a boy whose pointless death later affects the lives of his parents, brother, and brother's family. Not among my favorites but liked by students in my creative writing class include stories by Butler, Oates, Gaylan, Lewis, Schwartz, and Thon (though the latter split the class--some loved it while others hated it). Overall the stories this year did not seem eccentrically selected, or part of an editor's personal hobbyhorse about what fiction should do or be. Minimalism seems to be dying, and an "anything goes" gaminess returning to the contemporary short story. That might bother some readers, but still leaves quite a few of us. As usual a couple of stories got in that I hated (Brown's and Adams's), but that's just me. I recommend this book for its mix of styles and up to date report on what short fiction writers are up to in the trenches of publication.
1 of 1 people found the following review helpful.
Very neat! Get this one every year!
By A Customer
A great book! Pick this one up every year it comes out,it has been terrific every year. An eclectic selection ofauthors who have other publications you can find as well.
0 of 1 people found the following review helpful.
WONDERFUL
By T. Bellows
--my viewpoint: So many of these are great works--for both mind and the deep heart-of heart that H. Klemp writes about. Wideman is tuned in to the best of this form!
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