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Publishers Weekly described The Murrow Boys as "a lively, colloquial history of broadcast journalism that is so exciting one's impulse is to read it in a single sitting." It tells the swashbuckling tale of Edward R. Murrow and his legendary band of CBS radio journalists - Charles Collingwood, Howard K. Smith, William Shirer, Eric Sevareid, and others - as they "paint pictures in the air" from the World War II front. Brimming with personalities and anecdotal detail, it also serves up a sharp-eyed account of where the craft went wrong after the war, when vanity and commercialism increasingly intruded."This is history at its best," said Ted Anthony of AP News.
- Sales Rank: #110417 in Books
- Published on: 1997-10-31
- Original language: English
- Number of items: 1
- Dimensions: 1.27" h x 5.60" w x 8.80" l,
- Binding: Paperback
- 445 pages
From Publishers Weekly
In 1937, Edward R. Murrow (1908-1965) was dispatched to Europe by CBS Radio as its European representative. Although the job consisted of finding entertainment for the radio, world events would soon intervene. With Hitler beginning his rampage, Murrow fought isolationism at home and provincialism at CBS to form a legendary group of electronic journalists. William L. Shirer became Berlin correspondent, and Murrow, holding down London himself, hired the vain, insecure Eric Sevareid for Paris. Streetwise New Yorker Larry LeSueur, covered Dunkirk. There were also Charles Collingwood, Murrow's "Bonnie Prince Charlie," who loved the good life; Winston Burdett, onetime Communist later turned stool pigeon for a red-hunting Senate committee; and Howard K. Smith, Southern gentleman and Rhodes Scholar, who would take "the last train from Berlin" when the U.S. entered the war. With the end of the war, we see "the boys" as they evolve in a changing America, resisting television (they all, at first, hated it); McCarthyism (Sevareid, Murrow and, especially, Collingwood would be fearless); hubris (Shirer became so arrogant he was fired); and the CBS corporate structure (William S. Paley, corporate shark, would always win). Cloud, a former Washington bureau chief for Time, and his wife, Olson, former White House correspondent for the Baltimore Sun, have written a lively, colloquial history of broadcast journalism that is so exciting one's impulse is to read it in a single sitting.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
At first blush, this book by a husband-and-wife team of journalists may seem an oft-told tale, a further deifying of CBS News' Edward R. Murrow (already deified in numerous autobiographies by the "boys"). But it is much, much more than that; it is a thorough and scholarly documentation of radio reportage during World War II by the likes of Murrow, William Shirer, Eric Sevareid, Charles Collingwood, Howard K. Smith, Hugh Downs, et al., which created a whole new journalistic industry. The Murrow Boys is written with page-turning verve; the largely egocentric, hard-drinking cast is presented in detail with all warts exposed. But the story is also a sad one, revealing the breakup of a fine network news operation by executives focused on the bottom line and, in more recent years, by the advent of local television newsrooms peopled with cookie-cutter personnel selected for good looks and ethnic balance and without regard for journalistic experience. This book gives one pause about the quality of the news we get on TV. Highly recommended for all libraries.?Chet Hagan, Berks Cty. P.L. System, Pa.
Copyright 1996 Reed Business Information, Inc.
From Kirkus Reviews
An absorbing, frequently poignant narrative about the heroes of CBS radio news, the men and women who set the standards for broadcast journalism during WW II, and about what happened to the heroes, and the standards, in the years that followed. Although there were great journalists in WW II besides those surrounding Edward R. Murrow, those who were hired and nurtured by Murrow to broadcast the war for CBS radio--Eric Sevareid, Larry LeSueur, William L. Shirer, Charles Collingwood, and Howard K. Smith, among others--have always shared a special mystique. As the husband-and-wife team of Cloud (former Washington bureau chief for Time) and Olson (former Moscow correspondent for Associated Press) explain, radio news was still in its infancy, and Murrow's live war coverage was the first time the medium's dramatic potential was realized. The authors show that these new radio journalists played an important role in shaping American public opinion about the war: Despite the emphasis by CBS bureaucrats on ``objectivity,'' the Murrow group engaged in more than a simple presentation of facts, ranging from the overt editorializing of Sevareid's eloquent broadcasts from London during the blitz to Shirer's masterful use of irony and insinuation from Berlin. They had to contend constantly with attempts at censorship. Despite their travails, the Murrow Boys enjoyed commercial success: Some wrote well-received books (Shirer's Berlin Diary, Smith's Last Train From Berlin), and some became celebrities in their own right, a portent of the media stars of later years. This success, and the journalists' identification with corporate interests, though, were to have a corrosive effect, as the authors demonstrate: Decades after the war, the traditions of Murrow had faded, replaced by sensationalist and commercialized journalism that lacked either the drama or the intellectual content of CBS radio's brilliant wartime coverage. A nicely told look back at what was, and a glimpse of what might have been, in the field of broadcast journalism. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
32 of 33 people found the following review helpful.
How radio and TV news got started.
By A Customer
Great book for news junkies, World War II buffs, and anyone who has ever gotten shafted on the job! The authors showed how these men made CBS the Tiffany network, and how it discarded every single one of them, including the great Ed Murrow. An insightful look at network news, and why there's not much depth to it. Interesting to see what went on "behind the scenes" with some of the most famous (and not familar) names in broadcast journalism. Not a boring chapter in the book!
29 of 31 people found the following review helpful.
Excellent history and character study
By A Customer
The names Murrow, Sevareid, Collingwood, and Shirer have created standards that have been forgotten. Thought has been replaced by good looks. Read this book to see how CBS News became a news operation of mythic proportion with brilliant, yet terribly troubled men creating such high standards that have become forgotten. (You'll see no one on your local five pm television news here.) For these men, the importance was in writing, not pictures. You'll also see how these legendary men were racked with insecurities and self-torture. It's also uncanny in terms of how each had a rise and fall at CBS. Sadly, it's all true. The authors didn't need to resort to poetic license. (Read other accounts of these figures and you'll learn that.) When you're done with this book, you'll wish Howard K. Smith or Robert Trout were still on television today. You'll wish that instead of having happy talk on the news, you had thoughful, intelligent people who respected their audience doing reports that provoked the viewer's intellect and not pander to him. Read how Howard K. Smith was fired from CBS, what prompted it way back then, and realize the standards have been steadily declining since then on all networks. It's an enjoyable, easy-to-read book that describes the creation and erosion of impeccable standards.
14 of 15 people found the following review helpful.
Well-Done and Revealing
By K.A.Goldberg
This look at the "Boys" who covered World War II for CBS radio is quite moving. I liked reading of Ed Murrow's battles with the CBS brass, and the portraits of William L. Shirer, Eric Sevareid, Larry LeSueur, Myra Breckenridge (the Murrow "Girl"), Charles Collingwood, etc. How odd that such talented journalists were often wracked by jealousy and self-doubt. How predictable that CBS eventually dumped most of the Boys - along with their high standards - after the advent of television. By forsaking such talent, CBS helped usher in the image-conscious, bleeds-it-leads mediocrity of today's news. Fortunately, Howard K. Smith, Shirer, Sevareid and several others left a rich legacy in books and memoirs, and at this writing one can still hear Richard C. Hottelet report for National Public Radio (NPR). This book should be required reading for all journalists and corporate news executives.
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