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The poems in Babylon in a Jar extend the forceful explorations that Andrew Hudgins began with Saints and Strangers, his first book and a runner-up for the Pulitzer Prize in 1985. Since then, he has probed the nature of Southern experience, the conflict between religion and worldliness, the origins of poetry, the exaltations and perils of family. In this volume he brings such issues down to the old conflict between order and disorder. He responds with passion to the natural world, to history, to inheritance: "before he flooded the rubble, he swept up the dust of Babylon / to give as presents, and he stored it in a jar." The breadth and sweep of these poems, their variety and fervor, surpass Hudgins's previous work in After the Lost War (winner of the Poets' Prize), The Never-Ending (a runner-up for the National Book Award), and The Glass Hammer.
- Sales Rank: #5706426 in Books
- Published on: 1998-08-03
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l,
- Binding: Hardcover
- 96 pages
From Publishers Weekly
Casting a bemused eye on both ordinary and extraordinary experience, the poet of this fifth collection reports his discoveries in poems brimming with charm?and rigorous technique. Throughout, expressive line breaks and syntax combine with an everyday vocabulary to create a tone that beckons and disarms. One never struggles or puzzles over a Hudgins poem, but instead chuckles at the quandary of housekeys snagged on a power line ("Keys"), contemplates a neighbor's tree festooned with bottle glass ("The Bottle Tree") or reflects on the murder of a kindly jeweler ("How to Stop"). Unfortunately, even Hudgins's technical virtuosity cannot offset the colorlessness of his language, resulting in few lines or poems that resonate in a reader's memory. Too often Hudgins's subjects and treatment of them lack emotional urgency, lapsing into wordy narratives and descriptions, or merely interesting epiphanies. (A poem that begins crisply with the narrator saving the accidentally spilled ashes of a girl he once "flirted with/ ungracefully a time or two" ends with him disposing of them because "they are sheer dust/ and should be honored as the dust they are.") Some readers might detect a philosophical subtlety beneath these casual surfaces, only to be dropped back into formulaic confessional narrative by the end of the poem. One closes the book feeling entertained?often wonderfully so?but unmoved, unchanged.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Often flowing over the page in a sort of loose latticework of words, Hudgins's poems give an immediate sense of energy and freedom. There are little edges of violence throughoutAa copperhead strikes the poet's boot, even daffodils don't spring but eruptAand a sense of spinning just on the edge. But the poet is in control, bringing us back to safety: "before he flooded the rubble, he swept up the dust of Babylon/ to give as presents, and he stored it in a jar." Just be careful about opening the lid.
Copyright 1999 Reed Business Information, Inc.
From Booklist
Hudgins has never varied his manner and style, but each of his four previous books of poems is distinctive in its concerns. His new book continues that pattern, albeit by being more varied in subject and tone than any of its predecessors. It opens with a masterpiece, "The Chinaberry," in which the poet reports seeing Platonic idealism in the flesh, as it were, when grackles spring "together into flight" off a tree, becoming "the chinaberry's shadow for a moment / after they had ceased to be the chinaberry"; this is "a miracle / made from this world and where I stood in it" that restores the poet, "bitter and afraid . . . / matching step after step with the underworld," as surely as discovering Virgil restores Dante. Few other poems in the book are as allusively rich or as spiritually bracing, but gratifyingly often Hudgins teases ponderable sensual and psychological pleasures out of such things as gardening and walking the dog ("Ball" must be one of the best evocations of canine nature ever). Ray Olson
Most helpful customer reviews
7 of 8 people found the following review helpful.
Babylon In A Jar
By Martin Kim
"After Muscling through sharp greenery and after lopping humped limbs back as far as lopping shears would take them"
So begins a poem in Babylon In A Jar who's structure and form evokes the mythic narrative quality of the best of Gary Snyder married to the intuitive grasp of rhythm that Dylan Thomas wrote in so well. Hudgins speaks in a common language rich in metaphor of simple moments in life, yet without wallowing in the sentimental.
This is by the far the strongest single voice in poetry to write consistently well - poem after poem, book after book, within the past decade. I checked out five of his titles from the library and opened each at random without disappointment. Nothing good said of this writer should be taken for hyperbole. Babylon In A Jar is among his best.
8 of 14 people found the following review helpful.
A disappointment
By A Customer
Hudgins's new book is his weakest yet. He has not taken enough time between books, and seems content to slap together whatever verse he has lying around into a new manuscript. When the poet of "After the Lost War" and "The Never-Ending" waxes rhapsodic about a scene in the stands of a baseball game, it is time to reconsider the relationship between poetry and ambition. Is Hudgins's goal to write great poems or to win uncritically lauditory reviews? Even when he's writing shorter, more lyric poems, his imagination works most effectively when shaping larger wholes out of his poems. Even "The Glass Hammer," which contained a disturbing number of weak, anecdotal lyrics, was saved by its overall narrative structure of (mostly) unvarnished autobiography. "Babylon in a Jar," however, shows Hudgins thrashing this way and that, seeking a new direction for his imagination, which seemed mined out by "The Glass Hammer." It is, at best, a transitional volume, and one hopes that he will take more time to craft a more careful collection in the future. Hudgins's reputation is secure. We can wait more than three or four years for a (more) accomplished collection.
7 of 9 people found the following review helpful.
A brilliant book encompassing the verities of the heart.
By A Customer
Each of Andrew Hudgins' books makes one hunger for the next. His work is brilliant, true, and beautifully accessible.
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