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What might it feel like to be six months old? To have only recently discovered that your hands are your own and that not all round things are breasts? Or to celebrate your first birthday when you don't understand "first" and "birth" yet, and aren't sure about "day"? Or to wonder what the moon is and whether it's farther away than airplanes or the flies on the ceiling? Or to first figure out that books tell a story? Or that places stay and time passes? What might be the shape of your first inkling that you have a past? That words represent things? That you can imagine something that isn't true? That you are getting bigger? That your parents are fallible? That your will and theirs are not the same? That things die, and so will you? That you are a person with a history. This book is a biography of Brian Hall's daughter, Madeleine. Like traditional biographies, it begins with its subject's birth. Unlike them, it ends on her third birthday. Along the way, it describes the transition from in
- Sales Rank: #5223069 in Books
- Published on: 1997-11-10
- Original language: English
- Dimensions: .0" h x .0" w x .0" l,
- Binding: Hardcover
- 262 pages
Amazon.com Review
None of us remember our babyhood, but in Madeleine's World author Brian Hall (The Saskiad) gives us a glimpse into what it might've felt like. Madeleine's World is an odd, charming biography of a particular child, from birth to age 3. Hall, Madeleine's father, begins at day one of Madeleine's life, observing Madeleine and speculating on her perceptions and experience of infancy. As she grows, Hall gives us a look at her developmental milestones: first laugh, first words, first step, first tantrum--from the inside out. As Madeleine grows, we gain insights into the development of language and consciousness, attachments and separation, curiosity and fear. Hall's experience in writing fiction is evident: Madeleine's World has the urgency of a novel. When Madeleine is 3 years old, the book draws to a close, and readers are left with a sense of utter respect for the child--every child--and for all human beings.
From Library Journal
Hall (The Saskiad, LJ 11/1/96) narrates the evolution and growth of his daughter from birth to age three. Through the loving eyes of her father, we see Madeleine's thought patterns and behavior, including her language development and family and peer relationships. While Madeleine's behavior is sometimes compared to our primal beginnings, this is not a scientific work but a memoir. There are some amusing observations, but constant analysis of a child's reaction to favorite books, toys, playmates, and her parents make this an uninteresting read. It is like looking at photo albums of a child you never met?your attention span dwindles fast. Not recommended.
-?Lisa A. Errico-Cox, Nassau Community Coll. Lib., Garden City, N.Y.
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
A father's close-up view of his daughter's growing up, from her active days in the womb to the exhausted tantrum at the end of her third birthday. Hall is a writer of both fiction and nonfiction (The Impossible Country, 1994), but it is the novelist's sensibility that he brings to this biography of his first child, Madeleine. He has done his research on mental and physical development of the infant to the age we now call preschooler: the prehensile grasp of newborns, so strong in the first days; the separation of ``me'' from ``not-me''; the understanding of object permanence; the development of mobility, self-awareness, language; issues of control (the two-year-old's ``No!''). But to his close observations of her development (he was the parent on duty exactly ``40 percent'' of the time), he brought also a familiarity with myth and the growth of consciousness, and a poetic sensibility that realizes things are not always what they seem. A simple example: Blowing out her second birthday candles disconcerted Madeleine. Normal interpretation: Where did the flame go? What magic is this? But Hall probes deeper. Interpreting a photograph from that event, he sees Madeleine as looking ``worried and guilty''; had she ``broken'' or ``killed'' the flames? Is she beginning to understand herself as an instrument, a cause of the effect? When she begins to fear the monsters in the shadows, Hall reads and rereads the books meant to reassure her but finally comes to grips with Madeleine's very real dread and assigns himself to protect her: ``If a tiger came in here, I'd give it a karate chop.'' ``Poop'' is also a big issue, as is Madeleine's ambivalence at the arrival of her baby sister. Like every first-time parent, Hall seems to project his own childhood doubts and fears onto his daughter. Nevertheless, it's a pleasure to have a father report so astutely and with such concern on a baby growing up. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
An amazing book that will cause you to treasure childhood...
By A Customer
I was so moved by this book! It is an incredible story about a little girl's development and her daddy's speculation about all that her words and actions mean. It is so insightful that it made me deeply treasure each moment I spend with my 6 month old. I am buying a copy to have always, because I always want to be able to go back and be reminded how precious each child is, and how important each moment of their lives is. You can see how Madeleine constructs her world from each daily interaction she has. It leaves you not wanting to miss a moment with your own child. I wish every parent would read this book, because I believe it would cause many to re-think their priorities and put their children first. Each moment is so precious.
1 of 1 people found the following review helpful.
a moving account of the 'lost world' at life's beginning
By A Customer
this book begins as a father's intimate observation of his child's early life, but on the way to telling that story, it becomes so much more. i'm an admirer of hall's fiction and his non fiction, so i wasn't surprised by the elegance of his language or his erudition. i did find myself surprised by this book's subtle humor and, ultimately, its almost tragic conclusion. it's not that anything bad happens to madeleine. but life happens to her. at three, she first feels the loss of a past--her past--that can't be revisited. and we all shiver in sympathetic recgonition.
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